Spelt From Sibyl's Leaves: Explorations In Italian Art
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image
A richly layered work of art criticism and cultural scholarship, Spelt From Sibyl's Leaves: Explorations In Italian Art presents a series of incisive meditations on Italian visual culture, drawing on poetry, history, and aesthetic theory to illuminate the deep currents running beneath the surface of Italian artistic tradition. Luigi Ballerini brings a poet's sensibility and a scholar's rigor to his analyses, arguing that Italian art cannot be fully understood without reckoning with the literary and philosophical frameworks that shaped its creation. The tone throughout is erudite yet impassioned, blending close formal readings with broader cultural and historical contexts in a manner that rewards both specialists and engaged general readers. Ballerini illustrates how canonical and lesser-known works alike participate in an ongoing dialogue between image and text, vision and language, that defines the Italian aesthetic imagination. The result is a compelling and authoritative contribution to the fields of art history and Italian studies.
Author: Luigi Ballerini
Format: Paperback
Published: 1982, Electa International
Genre: History of arts
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image
A richly layered work of art criticism and cultural scholarship, Spelt From Sibyl's Leaves: Explorations In Italian Art presents a series of incisive meditations on Italian visual culture, drawing on poetry, history, and aesthetic theory to illuminate the deep currents running beneath the surface of Italian artistic tradition. Luigi Ballerini brings a poet's sensibility and a scholar's rigor to his analyses, arguing that Italian art cannot be fully understood without reckoning with the literary and philosophical frameworks that shaped its creation. The tone throughout is erudite yet impassioned, blending close formal readings with broader cultural and historical contexts in a manner that rewards both specialists and engaged general readers. Ballerini illustrates how canonical and lesser-known works alike participate in an ongoing dialogue between image and text, vision and language, that defines the Italian aesthetic imagination. The result is a compelling and authoritative contribution to the fields of art history and Italian studies.