Tableaux Mourant: Photography and Death
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image
In this hauntingly beautiful and deeply provocative academic monograph, Tableaux Mourant: Photography and Death explores the melancholic relationship between the lens and mortality. Borrowing its title from the French theatrical tradition of "living pictures" subverted into a meditation on passing, the narrative acts as a profound philosophical critique of how the camera captures, freezes, and inherently mourns the human subject. The text balances intense aesthetic theory with historical observations, tracing the evolution of post-mortem imagery, memorial keepsakes, and the psychological weight embedded within historical portraiture. Featuring a striking, minimalist landscape cover design that showcases crisp, elegant typography against a deep black backdrop, this vintage volume serves as an invaluable reference copy for cultural historians, theorists, and art collectors alike. It offers a rare, fiercely independent perspective on the macabre subtexts of early and contemporary media, analyzing the fine line where artistic documentation intersects with finality, memory, and the passage of time.
Author: -
Format: Paperback
Genre: Australian history
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image
In this hauntingly beautiful and deeply provocative academic monograph, Tableaux Mourant: Photography and Death explores the melancholic relationship between the lens and mortality. Borrowing its title from the French theatrical tradition of "living pictures" subverted into a meditation on passing, the narrative acts as a profound philosophical critique of how the camera captures, freezes, and inherently mourns the human subject. The text balances intense aesthetic theory with historical observations, tracing the evolution of post-mortem imagery, memorial keepsakes, and the psychological weight embedded within historical portraiture. Featuring a striking, minimalist landscape cover design that showcases crisp, elegant typography against a deep black backdrop, this vintage volume serves as an invaluable reference copy for cultural historians, theorists, and art collectors alike. It offers a rare, fiercely independent perspective on the macabre subtexts of early and contemporary media, analyzing the fine line where artistic documentation intersects with finality, memory, and the passage of time.