The Dawn of Italian Painting, 1250-1400
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image
A seminal exploration of the proto-Renaissance, The Dawn of Italian Painting, 1250-1400 by Alastair Smart offers a compelling reassessment of one of the most transformative periods in European art history. Moving away from the traditional, often dismissive view of these artists as merely "primitive," Smart argues for a sophisticated appreciation of masters such as Cimabue, Duccio, Giotto, Simone Martini, and the Lorenzetti brothers. He situates their work within the specific artistic, social, and intellectual values of their time, revealing how these painters laid the crucial foundations for the achievements of the later Renaissance. Through insightful analysis, Smart traces the evolution of stylistic developments in the great centers of Florence and Siena, highlighting the shift toward naturalism and emotional depth that redefined Western painting. This Phaidon edition remains an essential text for students and art history enthusiasts, valued for its clarity, scholarly rigor, and its ability to render a complex and often neglected era accessible and vibrant. For any library dedicated to the history of art, this work provides a foundational perspective on the birth of modern European painting.
Author: Alastair Smart
Format: Paperback
Genre: History of arts
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Markings: No markings
Condition remarks: Condition as shown in image
A seminal exploration of the proto-Renaissance, The Dawn of Italian Painting, 1250-1400 by Alastair Smart offers a compelling reassessment of one of the most transformative periods in European art history. Moving away from the traditional, often dismissive view of these artists as merely "primitive," Smart argues for a sophisticated appreciation of masters such as Cimabue, Duccio, Giotto, Simone Martini, and the Lorenzetti brothers. He situates their work within the specific artistic, social, and intellectual values of their time, revealing how these painters laid the crucial foundations for the achievements of the later Renaissance. Through insightful analysis, Smart traces the evolution of stylistic developments in the great centers of Florence and Siena, highlighting the shift toward naturalism and emotional depth that redefined Western painting. This Phaidon edition remains an essential text for students and art history enthusiasts, valued for its clarity, scholarly rigor, and its ability to render a complex and often neglected era accessible and vibrant. For any library dedicated to the history of art, this work provides a foundational perspective on the birth of modern European painting.