Comedies By William Congreve
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: Worn/faded, no tears
Pages: Good
Markings: No markings
A landmark work of literary criticism, this scholarly volume presents Bonamy Dobrée's authoritative analysis of the comedies written by William Congreve, the celebrated Restoration playwright whose wit and elegance defined an era of English theatre. Dobrée meticulously examines each of Congreve's major plays — including The Way of the World, Love for Love, and The Double Dealer — illuminating the sharp social satire, brilliant repartee, and intricate plotting that made Congreve the supreme master of Restoration comedy. Written with academic rigor yet an infectious enthusiasm for its subject, the text argues that Congreve's genius lies not merely in his comic invention but in his profound understanding of human nature and the hypocrisies of polite society. Dobrée's critical framework situates Congreve firmly within the cultural and theatrical landscape of late seventeenth-century England, making this an indispensable resource for students and scholars of English literature and drama alike.
Author: Bonamy Dobrée
Format: Hardback
Published: 1959, Oxford University Press
Genre: Plays
Condition remarks:
Book: Good
Jacket: Worn/faded, no tears
Pages: Good
Markings: No markings
A landmark work of literary criticism, this scholarly volume presents Bonamy Dobrée's authoritative analysis of the comedies written by William Congreve, the celebrated Restoration playwright whose wit and elegance defined an era of English theatre. Dobrée meticulously examines each of Congreve's major plays — including The Way of the World, Love for Love, and The Double Dealer — illuminating the sharp social satire, brilliant repartee, and intricate plotting that made Congreve the supreme master of Restoration comedy. Written with academic rigor yet an infectious enthusiasm for its subject, the text argues that Congreve's genius lies not merely in his comic invention but in his profound understanding of human nature and the hypocrisies of polite society. Dobrée's critical framework situates Congreve firmly within the cultural and theatrical landscape of late seventeenth-century England, making this an indispensable resource for students and scholars of English literature and drama alike.