Primitive Art
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Poor , ex-library
Jacket: No dust jacket
Pages: Good
Markings: Ex-library with usual markings
Condition remarks: Condition as shown in image
A foundational work in the field of art history and anthropology, Primitive Art presents a comprehensive survey of the artistic traditions found among non-Western and prehistoric cultures across the globe. Leonhard Adam systematically examines the visual arts of indigenous peoples from Africa, Oceania, the Americas, and beyond, arguing that so-called primitive art possesses its own sophisticated aesthetic logic, symbolic language, and cultural significance. Written with scholarly authority yet remaining accessible to the general reader, the text illustrates how these artistic traditions reflect complex social structures, spiritual beliefs, and human creativity that rival any recognized canon of fine art. Adam details the formal qualities, materials, and techniques employed by these cultures, challenging Eurocentric assumptions and urging a deeper respect for the diversity of human artistic expression. A landmark contribution to comparative art studies, it remains an essential reference for anyone seeking to understand the breadth and depth of world art traditions.
Author: Leonhard Adam
Format: Paperback
Published: 1949, Penguin Books
Genre: Anthropology
Condition remarks:
Book: Poor , ex-library
Jacket: No dust jacket
Pages: Good
Markings: Ex-library with usual markings
Condition remarks: Condition as shown in image
A foundational work in the field of art history and anthropology, Primitive Art presents a comprehensive survey of the artistic traditions found among non-Western and prehistoric cultures across the globe. Leonhard Adam systematically examines the visual arts of indigenous peoples from Africa, Oceania, the Americas, and beyond, arguing that so-called primitive art possesses its own sophisticated aesthetic logic, symbolic language, and cultural significance. Written with scholarly authority yet remaining accessible to the general reader, the text illustrates how these artistic traditions reflect complex social structures, spiritual beliefs, and human creativity that rival any recognized canon of fine art. Adam details the formal qualities, materials, and techniques employed by these cultures, challenging Eurocentric assumptions and urging a deeper respect for the diversity of human artistic expression. A landmark contribution to comparative art studies, it remains an essential reference for anyone seeking to understand the breadth and depth of world art traditions.