The World Keeps Ending, and the World Goes On
Author: Franny Choi
Format: Paperback, 152mm x 229mm, 454g, 144 pages
Published: HarperCollins Publishers Inc, United States, 2024
Named A Most Anticipated Book by: LitHub * Vulture * Time * A PW 2022 Holiday Gift Pick
One of: Time's "100 Must-Read Books of 2022" * NPR's 2022 "Books We Love" Vulture's "10 Best Books of 2022"
A Goodreads Readers Choice Award Semifinalist
From acclaimed poet Franny Choi comes a poetry collection for the ends of worlds-past, present, and future. Choi's third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival.
Many have called our time dystopian. But The World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples.
With lyric and tonal dexterity, these poems spin backwards and forwards in time--from Korean comfort women during World War II, to the precipice of climate crisis, to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. As she wrestles with the daily griefs and distances of this apocalyptic world, Choi also imagines what togetherness--between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest--could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope in the aftermaths, and visions for our collective survival.
Franny Choi is the author of two previous poetry collections, Soft Science (Alice James Books, 2019) and Floating, Brilliant, Gone (Write Bloody Publishing, 2014), as well as one chapbook, Death by Sex Machine (Sibling Rivalry Press, 2017). She is a Kundiman Fellow, a 2019 Ruth Lilly and Dorothy Sargent Rosenberg Fellow, a recipient of Princeton University's Holmes National Poetry Prize, and a graduate of the University of Michigan's Helen Zell Writers Program. Her poems have appeared in the New York Times, the Nation, Paris Review, and elsewhere. She lives in Western Massachusetts with her partner and their cat.
Author: Franny Choi
Format: Paperback, 152mm x 229mm, 454g, 144 pages
Published: HarperCollins Publishers Inc, United States, 2024
Named A Most Anticipated Book by: LitHub * Vulture * Time * A PW 2022 Holiday Gift Pick
One of: Time's "100 Must-Read Books of 2022" * NPR's 2022 "Books We Love" Vulture's "10 Best Books of 2022"
A Goodreads Readers Choice Award Semifinalist
From acclaimed poet Franny Choi comes a poetry collection for the ends of worlds-past, present, and future. Choi's third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival.
Many have called our time dystopian. But The World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples.
With lyric and tonal dexterity, these poems spin backwards and forwards in time--from Korean comfort women during World War II, to the precipice of climate crisis, to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. As she wrestles with the daily griefs and distances of this apocalyptic world, Choi also imagines what togetherness--between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest--could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope in the aftermaths, and visions for our collective survival.
Franny Choi is the author of two previous poetry collections, Soft Science (Alice James Books, 2019) and Floating, Brilliant, Gone (Write Bloody Publishing, 2014), as well as one chapbook, Death by Sex Machine (Sibling Rivalry Press, 2017). She is a Kundiman Fellow, a 2019 Ruth Lilly and Dorothy Sargent Rosenberg Fellow, a recipient of Princeton University's Holmes National Poetry Prize, and a graduate of the University of Michigan's Helen Zell Writers Program. Her poems have appeared in the New York Times, the Nation, Paris Review, and elsewhere. She lives in Western Massachusetts with her partner and their cat.