Barnett Newman
Condition: SECONDHAND
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Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
Few artists have reshaped the landscape of modern art as radically and unapologetically as Barnett Newman, and this landmark exhibition catalogue stands as the definitive scholarly account of his life and revolutionary vision. Published in association with the Philadelphia Museum of Art and Tate Publishing, and edited by Ann Temkin with essays by Temkin and Richard Shiff, alongside contributions from Suzanne Penn and Melissa Ho, this volume presents a rigorous and illuminating portrait of the Abstract Expressionist master whose monumental canvases — sliced by his iconic zips — redefined the possibilities of painting, scale, and spiritual experience. The catalogue situates Newman's work within the broader intellectual and cultural ferment of mid-twentieth-century New York, tracing the philosophical ambitions that drove him to strip painting down to its most elemental and transcendent form. Temkin and her collaborators bring both scholarly precision and genuine critical passion to their analyses, charting Newman's dialogue with existentialism, Jewish mysticism, and the emerging New York School. For anyone seeking to understand how a single artist could simultaneously court controversy and command reverence, this volume leaves an enduring and provocative question: what does it mean to stand before the sublime?
Author: Ann Temkin
Format: Paperback
Published: 2003, Philadelphia Museum of Art / Tate Publishing
Genre: History of arts
Condition remarks:
Book: Good
Jacket: No dust jacket
Pages: Good
Condition remarks: Condition as shown in image
Few artists have reshaped the landscape of modern art as radically and unapologetically as Barnett Newman, and this landmark exhibition catalogue stands as the definitive scholarly account of his life and revolutionary vision. Published in association with the Philadelphia Museum of Art and Tate Publishing, and edited by Ann Temkin with essays by Temkin and Richard Shiff, alongside contributions from Suzanne Penn and Melissa Ho, this volume presents a rigorous and illuminating portrait of the Abstract Expressionist master whose monumental canvases — sliced by his iconic zips — redefined the possibilities of painting, scale, and spiritual experience. The catalogue situates Newman's work within the broader intellectual and cultural ferment of mid-twentieth-century New York, tracing the philosophical ambitions that drove him to strip painting down to its most elemental and transcendent form. Temkin and her collaborators bring both scholarly precision and genuine critical passion to their analyses, charting Newman's dialogue with existentialism, Jewish mysticism, and the emerging New York School. For anyone seeking to understand how a single artist could simultaneously court controversy and command reverence, this volume leaves an enduring and provocative question: what does it mean to stand before the sublime?