Deanna Bowen

Deanna Bowen

$105.00 AUD $55.00 AUD

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This black-on-black book brings together over 20 years of Deanna Bowen's commitment to the excavation and recontextualization of colonial legacies-particularly those which implicate her family history and the Black diaspora in North America-making her artworks vital, both in Canada and abroad. Working primarily with photography-both rediscovered and new, but also video, documentary film, sound, performance, publishing, found objects and installation art - Bowen introduces us to a re-reading of white historic and archival facts. From its early roots in experimental documentary to constellations of found imagery, Bowen's practice has articulated how the familial histories of Black folks-histories often relegated to the margins - illuminate the official record. When she re-contextualizes previously published images in her projects, or revives discarded negatives, Bowen is hyper-aware of W.E.B. Du Bois' concept of "double consciousness"-the notion that to be Black is to live with the conflict of seeing yourself represented by White authors while profoundly recognizing the limits of such representation. - Crystal Mowry Co-published with Scotiabank Photography Award, Toronto

Author: Crystal Mowry
Format: Hardback, 234 pages, 248mm x 305mm, 1700 g
Published: 2022, Steidl Publishers, Germany
Genre: Photography

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Description

This black-on-black book brings together over 20 years of Deanna Bowen's commitment to the excavation and recontextualization of colonial legacies-particularly those which implicate her family history and the Black diaspora in North America-making her artworks vital, both in Canada and abroad. Working primarily with photography-both rediscovered and new, but also video, documentary film, sound, performance, publishing, found objects and installation art - Bowen introduces us to a re-reading of white historic and archival facts. From its early roots in experimental documentary to constellations of found imagery, Bowen's practice has articulated how the familial histories of Black folks-histories often relegated to the margins - illuminate the official record. When she re-contextualizes previously published images in her projects, or revives discarded negatives, Bowen is hyper-aware of W.E.B. Du Bois' concept of "double consciousness"-the notion that to be Black is to live with the conflict of seeing yourself represented by White authors while profoundly recognizing the limits of such representation. - Crystal Mowry Co-published with Scotiabank Photography Award, Toronto