Eight Soviet Composers
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Good
Jacket: Worn/faded, no tears
Pages: Good , price clipped
Markings: No markings
A landmark work in musicology, Eight Soviet Composers presents a focused and authoritative survey of the major compositional voices that shaped Soviet classical music in the twentieth century. Gerald Abraham profiles eight significant figures — including Prokofiev, Shostakovich, and Khachaturian — detailing their individual styles, artistic development, and the broader cultural pressures that defined their creative output. Written with scholarly precision yet accessible clarity, the text illuminates how these composers navigated the demands of Soviet ideology while producing works of enduring artistic merit. Abraham argues persuasively that Soviet music cannot be understood as a monolithic tradition, illustrating instead the rich diversity of voices that emerged from a politically charged and often restrictive environment. An essential reference for students of music history and enthusiasts of twentieth-century classical composition alike, this concise volume remains a vital introduction to a fascinating and underexplored chapter of Western musical heritage.
Author: Gerald Abraham
Format: Hardback
Published: 1946, Oxford University Press
Genre: Music
Condition remarks:
Book: Good
Jacket: Worn/faded, no tears
Pages: Good , price clipped
Markings: No markings
A landmark work in musicology, Eight Soviet Composers presents a focused and authoritative survey of the major compositional voices that shaped Soviet classical music in the twentieth century. Gerald Abraham profiles eight significant figures — including Prokofiev, Shostakovich, and Khachaturian — detailing their individual styles, artistic development, and the broader cultural pressures that defined their creative output. Written with scholarly precision yet accessible clarity, the text illuminates how these composers navigated the demands of Soviet ideology while producing works of enduring artistic merit. Abraham argues persuasively that Soviet music cannot be understood as a monolithic tradition, illustrating instead the rich diversity of voices that emerged from a politically charged and often restrictive environment. An essential reference for students of music history and enthusiasts of twentieth-century classical composition alike, this concise volume remains a vital introduction to a fascinating and underexplored chapter of Western musical heritage.