Opera Production For Amateurs
Condition: SECONDHAND
This is a secondhand book. The jacket image is a photograph of the exact copy we have in stock. This image shows the condition of this book. Further condition remarks are below.
Condition remarks:
Book: Fair
Jacket: Chipped and worn with some minor damage
Pages: Tanning and foxing
Markings: Previous owner
A practical and authoritative guide to the world of amateur opera, this work by Harold Smethurst instructs aspiring producers on every facet of staging a successful operatic production outside of the professional arena. Opera Production For Amateurs presents a comprehensive roadmap covering essential topics such as casting, direction, stagecraft, costume, and the coordination of musical and dramatic elements on a limited budget. Written with a no-nonsense, encouraging tone, it acknowledges the unique challenges faced by amateur companies while offering concrete, actionable solutions drawn from real theatrical experience. Smethurst argues that high artistic standards are entirely achievable without professional resources, provided that careful planning and dedicated teamwork are brought to bear. An invaluable reference for anyone involved in community or amateur opera, the text remains a trusted companion for directors, musical directors, and enthusiastic volunteers alike.
Author: Harold Smethurst
Format: Hardback
Published: 1951, Turnstile Press
Genre: Preforming Arts
Condition remarks:
Book: Fair
Jacket: Chipped and worn with some minor damage
Pages: Tanning and foxing
Markings: Previous owner
A practical and authoritative guide to the world of amateur opera, this work by Harold Smethurst instructs aspiring producers on every facet of staging a successful operatic production outside of the professional arena. Opera Production For Amateurs presents a comprehensive roadmap covering essential topics such as casting, direction, stagecraft, costume, and the coordination of musical and dramatic elements on a limited budget. Written with a no-nonsense, encouraging tone, it acknowledges the unique challenges faced by amateur companies while offering concrete, actionable solutions drawn from real theatrical experience. Smethurst argues that high artistic standards are entirely achievable without professional resources, provided that careful planning and dedicated teamwork are brought to bear. An invaluable reference for anyone involved in community or amateur opera, the text remains a trusted companion for directors, musical directors, and enthusiastic volunteers alike.